Physical 26 Nov – 30 Nov 2022
Online 20 Oct - 30 Oct 2022
(Dance Choreographer, Educator & Performer)
Albert graduated from the Hong Kong Academy of Performing Arts on full scholarship. He was a professional dancer with Cloud Gate Dance Theatre (Taiwan) and guest artist with Hong Kong Dance Company, resident Choreographer and training master for Frontier Danceland.
As a choreographer his works have been presented across many platforms including Singapore Arts Festival, NUS Arts Festival, M1 Fringe Festival, Esplanade da:ns Festival, M1 CONTACT Contemporary Dance Festival. He has also participated in dance exchanges programmes and performances in various countries including Colorado, Fukuoka, Macau, Shanghai, Busan, Beijing Dance Festival and Brisbane. He was invited multiple times to conduct academic exchanges with Beijing Dance Academy and Macau Academy of Performing Arts (Dance Academy).
Albert is now teaching at T.H.E Dance Company, NUS Dance Synergy and SCAPE.
(Ballett am Rhein in Dusseldorf, Germany, Ballet Master, Rehearsal Director, Choreographic Assistant)
Brent Parolin is a Canadian born dancer, teacher, coach and choreographer. Brent started his training as a student of the prestigious National Ballet School in Toronto where he received awards such as the Lawrence Haskett and Peter Dwyer Scholarships. After graduation Brent moved to Stuttgart, Germany, to continue his training at the John Cranko School before joining the Stuttgart Ballet in 2006, where he attained the position of Halb Soloist. In 2014 Brent moved back to Toronto to dance with the National Ballet of Canada and to teach at Canada’s National Ballet School. Brent has danced works by John Cranko, Maurice Bejart, Wayne McGregor, Christian Spuck, Demis Volpi, Kenneth MacMillan, George Balanchine, Crystal Pite and Marco Geocke among others.
Brent has been a teacher around the world, including Canada, Germany, Japan, Taiwan and Singapore. After creating multiple pieces for the Noverre: Junge Choreographen and the National Ballet of Canada’s Choreographic Workshop, Brent has shown his passion for the entire process of dance, from training and creation to performance and production. Brent currently holds the position of Balletmeister which encompasses being a rehearsal director, choreographic assistant, coach and teacher at the Ballett am Rhein in Dusseldorf, Germany.
(Singapore Ballet, Principal Dancer)
Chihiro began her dance training at Classical Ballet Academy S.O.U. in Japan. In 2001, she won the Idemitsu Kousan Scholarship at the 8th Asian Pacific International Ballet Competition in Tokyo and was later accepted into The Australian Ballet School. Upon graduation, she joined Singapore Ballet (SB) in 2005. Chihiro is currently the Principal Dancer in Singapore Ballet, where she danced the title role in Swan Lake, Giselle, Sleeping Beauty, Romeo & Juliet, Paquita, Coppélia, The Nutcracker, Don Quixote and Cinderella. Chihiro has also performed leading roles in many world renown choreographers’ works including George Balanchine’s Concerto Barocco as the First and Second Violin, Divertimento No. 15, Allegro Brilliante, Rubies, Serenade, Symphony in Three Movements and The Four Temperaments, August Bournonville’s Bournonville Divertissements, Choo-San Goh’s Unknown Territory and Double Contrasts, Beginnings, Fives, Momentum and Variations Serieuses, David Dawson’s A Million Kisses to My Skin, Edmund Stripe’s Piano Concerto No.2, Opus 102, Edwaard Liang’s 13th Heaven, Age of Innocence and Opus 25, Francois Klaus’ Midnight Waltzes, and Jorma Elo’s Glow-Stop.
Founder and Artistic Director of Indonesia Dance Company
Head Department of Marlupi Dance Academy (Full-Time program) and Director of Performing Art
International judge and ballet teacher. Ms Claresta started her training at Marlupi Dance Academy (MDA), she joined Beijing Dance Academy in 2008, at the same time she received a scholarship from Joffrey Ballet School and was also accepted to American Ballet Theatre Summer Session in the USA.
She began her professional career with Washington Ballet School and Art Ballet Theatre of Florida. During the time she has performed in many roles including Issaev's Harlequinade, Fairy Doll, Le Corsaire, Raymonda, Cinderella, The Nutcracker, Little Mermaid in Ballet, Shostakovich (3 Movements), Sleeping Beauty, Aladdin and Edgar Anindo's Fragmentos.
Ms Claresta has groomed many students to international recognition, including being the first Indonesian to be invited to Youth America Grand Prix (YAGP) and winning GOLD MEDAL at the YAGP New York Finals.
Her students have not only won numerous awards in international competitions, but also received scholarships to the Royal Ballet School, The Australian Ballet School (full scholarship for the year programme), Princesse Grace Dance Academy, Houston Ballet, Dutch National Ballet, Universal Ballet, The Rock School, etc.
Ms Claresta is also a well-known international ballet teacher, she has been invited to teach Master classes in the United States, Poland, Singapore, Hong Kong and Malaysia. Many students from all over the world also came and took classes with Ms Claresta and benefited greatly from her coaching.
(Singapore Ballet, Principal Dancer)
Etienne graduated from the Paris Opera Ballet School and worked with Paris Opera Ballet Company upon his graduation.
Joined Singapore Ballet(SB) in November 2010, and was promoted to Principal in January 2018. He most recently performed his role debut in Romeo and Juliet (2020) as Romeo and Benvolio. He has performed many principal role including Cavalier in The Nutcracker, Fritz in Coppélia, Raymonda (Principal Couple), Flower Festival, Rubies, and White pas de deux in Double Contrast. principal couple in Allegro Brillante and Fearful Symmetries.
He has danced many other classical roles such as Benvolio in Romeo and Juliet, Gold (Pas de Trois) in Sleeping Beauty, Shepherd in The Nutcracker, the pas de Trois in Paquita Gamache in Don Quixote, the pas de trois and tarantella in Swan Lake,
Since he joined SB, Etienne has also been part of many creations such as Blue Snow, Chant, Another Energy, Opus 25 and Sticks and Stones. He has also danced Traces We Left Behind, Age of Innocence, The Winds of Zephyrus, Midnight Waltzes, Divertimento No. 15, Theme and Variations, Serenade, Slide, Shadow’s Edge, Incomparable Beauty, 4Seasons, Jabula, Organ Concerto, ZIN!, Absence of Story, Lambarena, Triptych, Linea Adora, SYNC and Evening Voices and many more.
Dr Filomar Cortezano Tariao
(Nanyang Academy of Fine Arts, Senior Lecturer)
Dr Filomar, is a Senior Lecturer at the Nanyang Academy of Fine Arts, and is also working in collaboration with the Ministry of Education (MOE), teaching Dance Safety courses for continuing education.
Dr Filomar has choreographed and directed many works. One of his works won the Best Production for Life Theatre Awards. His works have been presented across many international platforms, including the opening piece for the 8th ASEAN Paragames, which was hailed as a "beautiful performance" by The London Times. He wrote about it in Dance:Access and Inclusion. He has also created for the Esplanade Dans Festival, La-in, for NAFA’s 80th anniversary in Crossings 2018.
Dr Filomar represented NAFA at the Blackboard Asia 2015 conference and World Dance Alliance in Korea. He has also been performing professionally for over 20 years. He has taught for the Vermont International Dance Festival. He is a fully-certified Stott Pilates instructor and a full-scholar alumnus of Hong Kong Academy of Performing Arts.
(Founder of Canaan, International Judge and Teacher)
Ivy started her professional ballet training at the Hong Kong Academy for Perform- ing Arts (HKAPA) and graduated as an honorary student with Highest Distinction and was awarded the Overseas Scholarship by Hong Kong Jockey Club Music and Dance Fund. She has appointed as Associate Executive Director of the Kirov Academy of Ballet Washington DC.
She began her career as a professional dancer at the Universal Ballet Company of Korea, Ontario Ballet Theater and the Hong Kong Ballet.
In 2002, she founded her own school, Ivy Chung School of Ballet in Hong Kong. In 2017, she founded Asia Ballet Academy in Malaysia which focuses on the Vaganova method of classical ballet training. She has served on the jury for numerous international ballet competitions, National Ballet Competition of Taiwan, Malaysia Grand Prix, Miami International Ballet Competition etc.
In recognition of her dedication to teaching, Ivy has received awards like Gold Award in 2009 National Outstanding Arts Teacher Award. In 2018, she received Award for Outstanding Dance Artist from Hong Kong Dance Federation. Ivy founded Canaan Dance in 2014, which is an international dance education organization.
Ivy actively participates in charitable events, and her students have taken part in peformances for charity shows.
(LASALLE College of the Arts, Head, School of Dance & Theatre)
Melissa is Head of the School of Dance & Theatre at LASALLE College of the Arts and the Programme Leader for the Diploma in Dance.
She is also a choreographer, performer and educator whose choreographic interest lies in investigating the body-subject. Her works and creative process attempt to touch on questions of agency, materiality and perception to create a visceral experience for the audience.
Melissa enjoys multi-disciplinary collaborative works, Site based work such as site-specific outdoor performance Tracing the City (2016) and cause based performances and workshops such as Stride with Pride, a performance aimed at increasing respect for wheelchair users. She founded The Kueh Tutus (a collective dedicated to creating dance for young audiences) and has created several works that have been presented at The Artground, toured to regional libraries and appeared in the Esplanade’s Festivals Octoburst! and March On.
Melissa has managed and designed various MOE-NAC Dance related initiatives such as the Dance Talent Development Programme, and Strategic Partnership CCA (Ethnic Dance). She also mentors the choreographic work of young and emerging artists through institutions such as *SCAPE and occasionally writes dance reviews, articles and edu-packs to make contemporary dance more accessible.
(Central School of Ballet UK, Ballet Tutor)
Resmi Malko received his ballet training at the Academy of Ballet in Tirana, Albania. Upon completion of his training in 1985, he joined the National Opera Ballet Theatre in Tirana and was promoted to Principal Dancer within 5 years. He continued his career there for the next 15 years, performing in countries including Italy, France, Turkey, Greece, Poland, Croatia, Bulgaria, USA and Canada.
Resmi then immigrated to North America and performed with the USA Ballet and the Canadian company, Ballet Jorgen. In 2003 Resmi graduated with Distinction from the Teacher Training Program for professional dancers at Canada's National Ballet School and joined the artistic teaching staff later that year. After 10 years with the NBS, Resmi joined the Central School of Ballet in London.
Students Resmi has coached have competed in international ballet competitions such as, the Prix de Lausanne and Genée International Competition where a student for the first time in the competition's history won all three major gold medals. Choreographically, Resmi has staged classical repertoire for the Central School of Ballet’s End of Year performances and for the touring company, Ballet Central. Additionally, Resmi often returns to coach at the National Opera Ballet Theatre, Tirana.
(Singapore Ballet, Assistant Ballet Mistress)
Rosa Park was the Principal Artist with the Singapore Ballet (SB) from 2009 to 2016. She graduated from Sunwha Arts School in Korea after six years of rigorous training and as a student, she danced Clara in The Nutcracker with the Universal Ballet Company. In her senior year at Ewha Womans University, the Korea National Ballet Company (KNB) offered her to dance Marie in The Nutcracker. Upon graduation, she joined KNB and danced many Principal and Soloist roles, including collaborating with Royal Swedish Ballet in Swan Lake.
Rosa excelled in numerous and abundance of principal roles and represented SB, inspiring many young dancers. In 2015, she was featured on the cover of Dance Europe and received an overwhelmingly positive review of her performance in Dance Europe’s Feature article for SB’s premiere of Don Quixote as Kitri.
After she decided to take her final bow in December 2016, she started a new chapter by working with SB and teaching young dancers at Nanyang Academy of Fine Arts. She is frequently invited for master classes and coaching as well as a judge. She holds a Bachelor’s degree from Ewha Womans University and a Master’s in Dance from Sejong University.